One of the many benefits to having an organizational system for your tracks in Premiere Pro (discussed in Track Organization in Premiere Pro) is that you can drastically decrease the amount of time it takes to get a good initial sound mix on your main interviews. Rather than adjust the audio clip by clip, it is possible to mix your film’s audio track by track. It’s even possible to group audio tracks together and adjust them all at once.

In this tutorial, we’ll discuss the Track Mixer, the Multiband Compressor, and the use of Submixes in Premiere Pro, all the with the goal of establishing a good initial sound mix, quickly.

MediaStorm Training
https://mediastorm.com/train

MediaStorm Post-production Workflow
https://mediastorm.com/train/product/post-production-workflow

MediaStorm Online Training
https://mediastorm.com/train/online

MediaStorm Field Guide
https://mediastorm.com/train/product/field-guide

MediaStorm Workshops
https://mediastorm.com/train/workshops

Larry Jordan’s website
https://larryjordan.com/

Larry Jordan, Premiere Pro CC: Boost and Smooth Audio Levels
https://larryjordan.com/articles/premiere-pro-cc-boost-and-smooth-audio-levels/

Credits
Writer: Tim McLaughlin
Voice Over: Tim McLaughlin
Editor: Tim McLaughlin